Based in Shreveport, LA
“Musical interpretations of landscape can articulate impressions of places as powerful catalysts to imagination and memory. For me, to be in a landscape is to feel immersed in the deep time of life and Earth as it relates to the brief candle of individual perspective; landscape music can give voice to this relationship, and, at its best, help kindle it.”
Michael Futreal is a composing/improvising instrumental performer and multimedia artist living in Shreveport, Louisiana. Futreal primarily works with the folk-inspired instruments that he builds: chromatic and traditional mountain dulcimers in both electric and acoustic configurations; tonehole flutes built from materials like bamboo and pokeweed. These voices are augmented with a variety of other sounds including guitar, harmonica, ukulele, banjo, loops, samples, and synthesis, with Futreal frequently working to illustrate musical output through various film-making tools such as camera-as-paintbrush and animation.
Futreal usually performs and records under the moniker Twang Darkly, typically configured as a trio including guitarist/bassist Joel Boultinghouse and drummer Lane Bayliss.
Musically, Futreal is often interested in impressionist and modal techniques that build upon tonic or tonal center environments and soundscapes. Through the shared emphasis on modal lines and pedal point, impressionist music overlaps in an interesting way with the modal vocabulary of the Appalachian dulcimer and other folk traditions. Futreal extends this palette by constructing and working with chromatic and fretless dulcimers that offer the use of synthetic and altered modes beyond the “church modes” afforded by the traditional diatonic mountain dulcimer; he sometimes refers to this approach as “rural space music,” partly as a nod to the adventurous spirit of the iconoclastic, inspiring Sun Ra (1914-1993).
In 2013-14, Futreal used these modal techniques to compose and perform the original score for the feature film Counting for Thunder. The movie has been well received on the film festival circuit and is set for wider distribution in 2016-17. During the same time, Futreal also created the multimedia piece Martian Archaeology, commissioned on grant from the Shreveport Regional Arts Council. The work examined the tension between imagination and discovery through the vehicle of live performance illustrated with short animations created from Futreal’s close-up “micro-landscape” photography of Nevada sandstone.
Futreal was 2015 Artist-in-Residence at Red Rock Canyon National Conservation Area in Nevada where he created the source material for Recurring Colors, a suite of original music and connecting short films reflecting the high desert experience. Later in 2015, Futreal was awarded the Music Fellowship Award from the Shreveport Regional Arts Council and tapped as composer-performer for the 2016 dance and performance-art stage production Nick Cave AS IS.
In 2016, Futreal is creating animation and soundscape to enhance the work of sculptor-painter Steve Zihlavsky for The Court of King Skebal, a multimedia installation of sci-fi and fantasy artworks to be housed at the nationally-accredited Meadows Museum of Art at Centenary College of Louisiana.
Futreal holds an M.S. in Applied Sociology from North Carolina State University and previously worked as both college instructor and web developer.
La Madre (2015) performed by the composer on electric dulcimer.
“I recorded ‘La Madre’ one evening during my residency at Red Rock Canyon National Conservation Area, reflecting on a long day hike along the ridge leading up to Turtlehead Peak, with its humbling views of the La Madre Mountain Wilderness out over the gulf of Brownstone Canyon.”
Desert Places (2016) performed by the composer on pokeweed flute, electric and acoustic dulcimer.
“‘Desert Places’ transports me back to time spent in early 2016 driving and hiking in the Lake Mead National Recreational Area.”