In April 2014, Rachel Panitch spent four weeks as Artist-in-Residence at Zion National Park in Utah, where she created several works inspired by the park—including an online “Musical Map”—and performed her music on site.
A fiddler, composer, improviser, and educator based in Boston, Rachel’s varied musical output combines influences from varied aural and folk traditions from North Indian Raga to contra dance. Rachel and I first became acquainted through the Entrepreneurial Musicianship grant program at the New England Conservatory of Music, where we both studied.
I was delighted to speak with Rachel over the phone recently about her time in Zion National Park and the work that she produced there. Below, I’ve highlighted some of Rachel’s thoughts from our conversation, in which she discusses her expectations, surprises, process, interactions, and the approaches she took to engaging with Zion’s landscape through music. Continue reading