I recently read Wilderness and the American Mind, Roderick Frazier Nash‘s influential landmark survey of the intellectual history of wilderness in the U.S. In the Epilogue of the fourth edition, Nash muses on possible futures for wilderness and explains why the attitudes and rationales that led to the preservation of wilderness in the past may not hold up going forward.
“Ecocentric” arguments for wilderness preservation, which are rooted in ethics—rather than aesthetics, politics, or economics—are becoming increasingly important. Such a shift in conversation necessitates an intellectual and moral transformation of attitudes about nature. This is something I’ve been thinking about for a while, and Nash’s ideas have stimulated me to further contemplate how music might support the ecocentric perspective. Continue reading
Stephen Lias is an accomplished and inspirational composer of music for orchestra and large ensembles, chamber ensembles, and voice. He also founded the remarkable field seminar “Composing in the Wilderness,” which he leads annually.
As a self-made specialist in music inspired by the U.S. National Parks, Stephen Lias has been Artist-in-Residence at Rocky Mountain, Glacier, Denali, Glacier Bay, and Gates of the Arctic National Parks, and has written over a dozen park-related pieces.
Many of these works will be featured on his forthcoming CD, Encounters: Music Inspired by Our National Parks, which I hope you’ll support on Kickstarter (I have!).
Last weekend I had an illuminating conversation with Stephen about many facets of his work: from the perspectives he has gained through his adventures in wild places, to the techniques he uses to capture and transform these wilderness experiences into music. Stephen spoke with me over Skype from Nacogdoches, Texas, where he is Professor of Composition at Stephen F. Austin State University. Continue reading