I hope our music inspires you this Earth Day!
New Year, new YouTube channel! We are pleased to announce a new online home for videos of our concerts, interviews, and all things LandscapeMusic.org and Landscape Music Composers Network.
We’re kicking things off with a full-length concert video featuring Citywater, Sacramento’s premier chamber ensemble for new music, as part of Landscape Music: Rivers & Trails: our Fall 2018 concert series, which featured five different chamber ensembles around the country in programs of World Premieres that celebrated the 50th anniversaries of the U.S. Wild & Scenic Rivers and the National Trails System.
Citywater’s Landscape Music: Rivers & Trails program was presented by Visions of the Wild, an environmental arts festival, in partnership with the U.S. Forest Service and Vallejo Community Arts Foundation, with support from the National Park Service. The concert was given at the Empress Theatre in Vallejo, CA on September 23, 2018.
Watch the full concert below, or visit our playlist to see individual videos of World Premiere pieces by Landscape Music composers Nell Shaw Cohen, Linda Chase, Ryan Suleiman, Ben Cosgrove, Christina Rusnak, Rachel Panitch, and Libby Meyer.
Editor’s Note: Composer Christina Rusnak writes her fourth essay for LandscapeMusic.org.
Last October, Nell Shaw Cohen, Stephen Wood and I met to discuss the feasibility of a developing a concert series to celebrate the 50th Anniversaries of the Wild and Scenic Rivers and National Trails System. Eleven months later, concerts are premiering in Vallejo, CA (9/23); Atlanta, GA (9/29); Houghton, MI (10/4); Portland, OR (10/7); and Boston, MA (11/3), as part of Landscape Music: Rivers & Trails concert series. My music is being performed in all locations except Boston. Determining what river or trail I would write about was easy—2018 also marks the 175th anniversary of the Oregon National Historic Trail, and I live just 12 miles from the trail’s end.
The Oregon Trail, and our near-mythological familiarity of it, is fraught with controversy. Claimed by both the British and Americans, the land was actually controlled by the indigenous inhabitants who had no idea what was coming. The emigrants who traveled the 2,170 mile Oregon Trail began their journey in Independence, Missouri—skirting the northeastern edge of what is now Kansas and traveling through Nebraska, Wyoming, and Idaho into Oregon, although none of these states actually existed until decades later. The hopeful settlers traveled through “Unorganized Territory” into Oregon Territory. While most people dispersed along the way to settle within east or south of Oregon Territory, the route officially ended at Willamette Falls—the second largest waterfall (in the U.S) after Niagara. About 20% of emigrants, over 80,000, followed the trail to the end. Continue reading
My composition Retrace for flute, violin, and cello commemorates the 50th Anniversary of the National Trails System Act of 1968, and was composed in response to the Juan Bautista de Anza National Historic Trail. It will receive four co-World Premiere performances during Fall 2018 in locations around the country—presented by Citywater and the Visions of the Wild Festival (9/23, Vallejo, CA), Michigan Technological University (10/4, Houghton, MI), Cascadia Composers (10/7, Portland, OR), and Juventas New Music Ensemble (11/3, Boston, MA), respectively—as part of Landscape Music: Rivers & Trails, a nationwide initiative I am directing for the Landscape Music Composers Network.
The Anza Trail stretches 1,200 miles, weaving through desert and city from Nogales, Arizona to San Francisco, California. It follows the path of the Anza Expedition of 1775-76, which traveled indigenous routes from modern-day Mexico through Arizona and California to settle the San Francisco Bay Area for Spain. A narrative mapped onto the land rather than a “trail” in the usual sense, the Anza Trail is an ongoing project of cultural and historical preservation through outreach, education, and recreation. Continue reading
Video: “Snow Caps” from High Desert Panoramas by Brent Lawrence
Editor’s Note: Composer Brent Lawrence writes his first essay for LandscapeMusic.org about finding inspiration in the high desert of eastern Oregon.
Although I live in Oregon now, I am not from Oregon. My blood runs from the cool mountain streams of Appalachia, where crystalline brook-babbles froth over the stones of mountains older than I can comprehend. It is in the Blue Ridge mountains of southwest Virginia, and the rolling hills of the North Carolina Piedmont, where I made my old friends. The ragged, old, and wise mountains that cradled me in my, even more youthful, youth. It is no surprise then that I was taken (and still am) by the grandeur of the Cascades as my Red Mazda whisked through the mountain highways flanked by peaks adorned with snow. For many, and to me, the forest is a magical place, especially here in Oregon. Where one can lose themselves in the clear pools of mountain brooks, the silence perpetuated by unspeaking firs, or the occasional whisper of the wind. But to me, many of Oregon’s mysteries lie in the east. Continue reading
Coordinated by the Landscape Music Composers Network, and presented in collaboration with organizations, venues, and performers across the country, this initiative highlights and celebrates the significance of our national trails and rivers through the creation and presentation of new music. Landscape Music: Rivers & Trail concerts will feature World Premieres of works for small chamber ensembles, created in direct response to the remarkable places protected under these two landmark acts.
Concerts will be presented in Vallejo, CA (9/23); Atlanta, GA (9/29); Houghton, MI (10/4); Portland, OR (10/7); and Boston, MA (11/3). These events are being coordinated by members of the Landscape Music Composers Network, and presented, performed, and promoted in partnership with: U.S. Forest Service, Visions of the Wild, National Park Service, Sierra Club, Juventas New Music Ensemble, Michigan Technological University, Cascadia Composers (NACUSA), Atlanta Contemporary Ensemble, Citywater, and Sustain Music and Nature.
The Landscape Music Composers Network is a group whose music engages with landscape, nature, and place. Including artists both established and emerging, writing in diverse styles, this network is a platform for collaborative projects aiming to increase appreciation and awareness of the natural world through music.
The Landscape Music: Rivers & Trails initiative has mobilized the network’s composers to compose eleven new works in response to our Wild and Scenic Rivers and National Scenic, Historic, and Recreation Trails for World Premiere on this concert series. Five rivers (Sudbury River, Klamath River, Owyhee River, American River, and Chattooga River) and six trails (Juan Bautista de Anza Trail, New England Trail, North Country Trail, Carson Trail, Oregon Trail, and Florida Trail) will be highlighted. Two of the concerts will also feature pieces by guest composers, chosen by Juventas New Music Ensemble and Cascadia Composers through competitive Calls for Scores. Highlighting a diversity of compositional voices and inspirations from nature, each event offers a different selection of works.
To learn more about the concerts, composers, and works being featured, visit the Landscape Music: Rivers & Trails page.
DEADLINE: APRIL 3, 2018
Application Fee: $10
Learn More & Apply!
The selected works will be performed by Juventas New Music Ensemble at their Fall 2018 concert, Landscape Music: Rivers & Trails, a partnership with the Landscape Music Composers Network. The program will commemorate the 50th Anniversaries of the National Trails System and the Wild and Scenic Rivers acts.
One or more composers may also be invited to join the Landscape Music Composers Network: a group of composers and musicians from across the United States whose music engages with landscape, nature, and place. Membership includes a featured profile at http://landscapemusic.org/composers-network, opportunities to participate in the group’s collaborative projects, and consideration for programming on future concerts. Continue reading
Landscape Music Composers Network is excited to announce that we’re seeking partners for Landscape Music: Rivers & Trails, a nationwide series of concerts in Fall 2018 commemorating the 50th Anniversaries of the National Trails System Act and the Wild and Scenic Rivers Act. Organized by the Landscape Music Composers Network, and presented in collaboration with venues and performers across the country, these concerts will highlight and celebrate the significance of our national trails and rivers through musical expression. Continue reading
This Sunday, December 10, 2017 at 3:00pm, Michigan Technology University in Houghton, MI, in affiliation with the Landscape Music Composers Network, presents a concert of new music inspired by national parks and other remarkable landscapes.
This concert, curated by Libby Meyer, features music composed by Libby and several other members of the Landscape Music Composers Network: Nell Shaw Cohen (World Premiere), Stephen Lias, Christina Rusnak, and Stephen Wood, alongside works by Jesse Budel and Corinna Hogan.
Continue reading to explore each of the featured works by Landscape Music composers, then check out MTU’s event listing for venue details or tune into the livestream to listen online! (The livestream is available Sunday, December 10 at 2:30pm EST; concert starts at 3:00pm.) Continue reading
Conservationist, forester, philosopher, educator, writer, and outdoor enthusiast Aldo Leopold (1887-1948) is considered the father of wildlife ecology. Leopold underwent a transformation in his perspective on wildlife through a life spent in engagement with the natural world. Leopold writes of one such pivotal moment in essay “Thinking Like a Mountain,” in which he and his friends shot at a mother wolf and her pups:
“We reached the old wolf in time to watch a fierce green fire dying in her eyes. I realized then, and have known ever since, that there was something new to me in those eyes – something known only to her and to the mountain. I was young then, and full of trigger-itch; I thought that because fewer wolves meant more deer, that no wolves would mean hunters’ paradise. But after seeing the green fire die, I sensed that neither the wolf nor the mountain agreed with such a view.”
Leopold would come to understand wolves’ crucial role in the health of ecosystems, which was proven by the successful reintroduction of wolves into Yellowstone National Park decades after Leopold’s time. (Justin Ralls explored this topic in an essay and composition for Cadillac Moon Ensemble, Of Wolves and Rivers, for Landscape Music’s National Parks centennial concert last year.)
Leopold’s legacy lives on through the Aldo and Estella Leopold Residency Program: a monthlong retreat at the Leopolds’ first home in northern New Mexico, owned by Carson National Forest and hosted by the Leopold Writing Program. This past August, the residency program—usually reserved for environmental writers—hosted an unusual project: Transformed by Fire, a collaboration between renowned Philadelphia-based composer Andrea Clearfield and poet and freelance writer Ariana Kramer from Taos, NM. Their song cycle for baritone and chorus takes Leopold’s writings as a jumping-off point for a musical and poetic exploration of wolves and their role in our ecosystems.
Last June, prior to their residency and the subsequent concert performance of their work-in-progress, I sat down with Andrea and Ariana in Taos to discuss the origins and goals of Transformed by Fire. The following excerpts from this interview offer a snapshot of the formative, early stages of their collaboration—a glimpse into their creative process. Continue reading