Nell Shaw Cohen, composer and Director of the Landscape Music Composers Network, was joined earlier this month by fellow Landscape Music composers Justin Ralls, Stephen Wood, and Stephen Lias for a fascinating, wide-ranging conversation about bringing inspirations from nature into music. It was filmed on the occasion of Landscape Music’s National Park Service centennial concert with Cadillac Moon Ensemble at the Parrish Art Museum, and includes a discussion of the works on that program with clips from the performance.
With the Fall Equinox fast approaching, it’s the perfect time to get caught up on everything that’s been happening here at Landscape Music over the summer: a collaborative concert production, new Composers Network members, and new articles!
Cadillac Moon Ensemble at the Parrish Art Museum
Last Friday, September 9, our concert with Cadillac Moon Ensemble at the Parrish Art Museum on the East End of Long Island received a great audience turnout and response. The program, which celebrated the 2016 National Park Service centennial, featured two World Premieres of works written for Cadillac Moon Ensemble and four works for solo instruments. All of the music was composed by members of Landscape Music Composers Network—Nell Shaw Cohen, Stephen Lias, Justin Ralls, Alex Shapiro, and Stephen Wood—four of whom were in attendance.
Stay tuned for videos from this special event, including a conversation with the composers and clips from the concert itself.
Libby Meyer and Oliver Caplan Join Composers Network
Two exciting composers have joined the Landscape Music Composers Network!
Libby Meyer‘s music is fueled by her interest in natural soundscapes, conservation of special places, and curiosity about the relationship between the arts and the natural world. A composer, fiddler, co-founder of the Keweenaw Soundscape Project, and former Artist in Residence at Isle Royale National Park, Libby hails from Houghton, MI.
Boston-area composer Oliver Caplan creates music in which the geographies of people, places and ideas intertwine to become tales of transformation. Oliver’s inspirations have included Jane Goodall, Frederick Law Olmsted, and the landscapes of New England.
Recent Articles on Landscape Music
Stories of Wildlife Conservation in “Refuge” by Nell Shaw Cohen — What do the Kemp’s ridley sea turtle, Mission blue butterfly, and American bison have in common? The National Park Service! Nell explores how each of these species’ conservation stories connect to the NPS in Refuge, her piece for Cadillac Moon Ensemble.
Exploring “Of Wolves and Rivers” by Justin Ralls – The wolves of Yellowstone National Park are a powerful symbol of wilderness and demonstrate how one species can alter an entire ecosystem. Through his piece for Cadillac Moon Ensemble, Of Wolves and Rivers, Justin references and sanctifies the relationships between wolves and rivers and between humans and their environment.
Editor’s Note: “Of Wolves and Rivers” by Justin Ralls receives its World Premiere on our upcoming Landscape Music Composers Network concert. In this essay, Justin explores the inspiration behind his piece.
I am honored to be a part of Landscape Music’s upcoming concert with Cadillac Moon Ensemble at the Parrish Art Museum in The Hamptons, NY on September 9, 2016, celebrating the centennial of the National Park Service and our common natural heritage. In creating a piece for this very special concert, I looked to Yellowstone for inspiration. Not only was Yellowstone the nation’s first national park, dedicated in 1872, but the greater Yellowstone ecosystem is a living portrait of wilderness: filled with free rivers, rugged mountains, thick forests and wildlife. Yellowstone exemplifies what much of North America, both east and west, was once like only generations ago. Nell Shaw Cohen’s Refuge also draws inspiration from Yellowstone, with a movement exploring a musical narrative of the bison’s once and future home in the American landscape and consciousness.
Along with the bison, the wolf has become an emblem of such primal wilderness. Continue reading
Refuge (2016) for flute (piccolo), percussion, violin, and cello is a 16 1/2 minute narrative suite following the conservation stories of three wild animals and their habitats. Each of these species offers a different perspective from which to reflect upon the National Park Service’s role in wildlife conservation and the diversity and fragility of life on Earth.
I composed this piece for an upcoming World Premiere by Cadillac Moon Ensemble at the Parrish Art Museum in The Hamptons, NY on September 9, 2016, presented by the Landscape Music Composers Network, to celebrate the centennial year of the National Park Service. Learn more about this exciting concert, which also features a World Premiere by Justin Ralls and four other works by members of the Landscape Music Composers Network.
In the following essay, I explore each of the three species and national parks that serve as the focus of Refuge and relate how I’ve approached telling their stories through music. Continue reading
Inaugural Concerts from the Landscape Music Composers Network
Our upcoming event Landscape Music Presents Cadillac Moon Ensemble at the Parrish Art Museum celebrates the National Park Service’s century of conservation with a concert of new music evoking landscape, ecology, wildlife, and adventure.
This concert, which takes place on September 9 in Water Mill, NY, is an exciting collaboration between the Landscape Music Composers Network, the Parrish Art Museum (the Hamptons’ premier fine art museum), and NYC’s fantastic Cadillac Moon Ensemble. We’ll hear music by five Landscape Music composers—Nell Shaw Cohen, Stephen Lias, Justin Ralls, Alex Shapiro, and Stephen Wood—including World Premieres composed by Cohen and Ralls for this occasion.
Last month saw the first-ever concert affiliated with Landscape Music Composers Network, New Music of Our National Parks, created by Rachel Panitch and presented by the Advent Library Concert Series in Boston, MA. It was an evening of beautiful performances and we were fortunate to attract an appreciative audience, which included members of the National Park Service. In case you missed it, here’s the press release with an overview of the event and a concert preview with samples of each of the pieces that were featured on the program.
Michael Futreal Joins the Composers Network
We recently welcomed a new addition to the Landscape Music Composers Network: Michael Futreal, a composer, improvising performer, instrument builder, and multimedia artist based in Shreveport, LA. Recently an Artist-in-Residence at Red Rock Canyon National Conservation Area, Michael creates unique works that “articulate impressions of places as powerful catalysts to imagination and memory.”
Recent Articles on Landscape Music
Intersections: Duets with Nature — The first in Nell Shaw Cohen’s series highlighting large-scale, interdisciplinary, multimedia, and/or collaborative projects at the intersection of music, nature, and environmental advocacy.
Stephen Wood: Wilderness Advocacy Through Music and Education — In this in-depth interview, Stephen Wood shares ideas and experiences behind his concerts and educational programs, elucidating his vision of how music acts as a catalyst for reconnecting us to our environment.
Sketches of Nature: Landscape Music in the Central Asian Steppe — Justin Ralls explores the musical culture of the central Asian steppe and reflects on parallels between the Tuvan approach to “sketches of nature” and western music composition.
Landscape Music isn’t really a publication for conventional music journalism, but interesting projects frequently come to my attention that are well worth mentioning here. Accordingly, I bring you Intersections: a series of articles highlighting large-scale, interdisciplinary, multimedia, and/or collaborative projects at the intersection of music, nature, and environmental advocacy. These articles will profile groups of diverse projects that share compelling thematic connections.
Each of these projects provide new and illuminating answers to the question of how we can make music about, with, and from natural landscapes (or, as the case may be, seascapes!). And all of the work I’ll be exploring is closely aligned with the ideas behind this website, though these artists are not affiliated with Landscape Music or the Landscape Music Composers Network.
For this first article, I’m focusing on a few unusual projects in which new music is created through a “duet” with sounds from the natural world: POD TUNE, an ambient album featuring whale song; E-Mago, music made with geophysical data; Inuksuit, John Luther Adam’s outdoors epic; and Nat Evans’ The Tortoise, a sonic documentation of the Pacific Crest Trail. Continue reading
Stephen Wood is an Atlanta-based composer, performer, and naturalist who creates classical and jazz music in conversation with wilderness advocacy and environmental education.
I asked Stephen, who is a member of the Landscape Music Composers Network, to share some of the ideas and experiences behind his innovative concerts and educational programs, in particular, and to elucidate his vision of how music acts as a catalyst for reconnecting us to our environment.
Stephen writes: “My current work as a composer, educator, and environmentalist is concerned with advocating for our National Preservation System and awakening our human connection to Earth. I do this first by composing music in different genres inspired by these natural themes. Additionally, I participate in and create Artist Residencies for our National Wilderness Preservation System, producing site-specific concerts and “Art Hikes” celebrating human connections to Nature, and presenting my educational workshop “Inspiring Stewardship” in music and science classes.” Continue reading
Editor’s Note: Justin Ralls, guest author and Landscape Music Composers Network member, writes his first essay for Landscape Music.
Last summer while I was hiking in Kings Canyon National Park, I had much on my mind. Walking the trail—admiring the craggy, breathtaking views of granite and pine, listening and following the rush of cold streams and the calls, near and far, of birds, squirrels, and nameless others—there is much to inspire the composer. As a musician, sound is at the forefront of my awareness. But what about the immensity and awe—even terror—one may feel in these intimidating, yet intimate landscapes? Potential metaphors and meanings hide behind every cloud and tree, gust of wind, or mysterious chirp. Of course, it is up to us as composers to relate these experiences in our musical statements and aspirations. This can be a daunting task as we parse out the myriad cultural contexts and perspectives each of us brings to every piece of music and every excursion in the mountains. Informing ourselves about how other cultures draw upon the landscape in their music gives us new perspectives and helps us to clear the air of our usual conceptions. In this essay, I invite you on an adventure to another culture and another landscape.
Nature music: Seagulls at Chagatai Lake in south central Tuva. From Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond.
The musical culture of the central Asian steppe possesses an embodied connection to landscape. Here, every musical utterance is imbued with place: whether it is the metaphorical feelings of place, the contour of mountains and valleys, or the subtleties and nuances of timbre and sound in the environment itself. Theodore Levin’s Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond explores how a sustained, nomadic herder lifestyle creates mutually supportive, cultural links to the natural world. Tuva is a Russian republic in southern Siberia, nestled within the northwest border of Mongolia. Tuva is famous for its biodiverse landscapes of grassland steppes, deserts, and tall mountains, where traditionally nomadic tribes have lived for centuries. Levin describes “a sonic journey through a landscape and soundscape whose inhabitants preserve what is arguably one of the world’s oldest forms of music-making.”1Levin, T., & Süzükei, Valentina. (2006). Where rivers and mountains sing: Sound, music, and nomadism in Tuva and beyond. Bloomington: Indiana University Press. Pg. 3 Continue reading
References [ + ]
|1.||↑||Levin, T., & Süzükei, Valentina. (2006). Where rivers and mountains sing: Sound, music, and nomadism in Tuva and beyond. Bloomington: Indiana University Press. Pg. 3|
This Spring, the epic landscapes of Zion, Grand Canyon, and Yosemite will be brought to life in Boston. New Music of Our National Parks is a concert of new chamber music inspired by nature, honoring the national parks in the centennial year of the National Park Service. I’m delighted to be involved with this project, produced by Rachel Panitch in affiliation with the Landscape Music Composers Network.
The concert, which will take place on Friday, April 15, 2016 at 8:00pm on the monthly Advent Library Concert Series at The Church of the Advent in the heart of historic Beacon Hill, Boston (suggested donation is $10), brings together works by three members of the Composers Network—Rachel, Linda Chase, and myself—and features performances by Cardamom Quartet, vocalist Burcu Gulec, flutist Alicia Mielke, guitarist Devin Ulibarri, and the vibraphone/violins trio Thread Ensemble.
I’ve previously posted a brief announcement and a press release about the event. Below, I dig a bit deeper into the works featured on the program and explore how each of the composers drew inspiration from national parks. Continue reading
New Music of Our National Parks
Presented in affiliation with the Landscape Music Composers Network
New Music of Our National Parks will feature new chamber music inspired by National Parks. Several of these works emerged from Rachel’s residency at Zion National Park, which she discussed with me at length in an interview for Landscape Music, as well as Linda’s residency at Grand Canyon. My own piece, Dai-Shizen (Great Nature), is a reflection on the Yosemite-inspired artworks of Chiura Obata and how he carried this inspiration with him to the internment camp where he was imprisoned during World War II.
The program will be performed by Boston-based string quartet, Cardamom Quartet, vibraphone and violins trio Thread Ensemble, vocalist Burcu Gulec, and the flute and guitar duo of Alicia Mielke and Devin Ulibarri, and presented as part of the monthly Advent Library Concert Series in the heart of historic Beacon Hill, Boston.
Stay tuned for more in-depth coverage of this event on this website, including explorations of the pieces featured on this exciting program. Read the full press release.