I hope our music inspires you this Earth Day!
New Year, new YouTube channel! We are pleased to announce a new online home for videos of our concerts, interviews, and all things LandscapeMusic.org and Landscape Music Composers Network.
We’re kicking things off with a full-length concert video featuring Citywater, Sacramento’s premier chamber ensemble for new music, as part of Landscape Music: Rivers & Trails: our Fall 2018 concert series, which featured five different chamber ensembles around the country in programs of World Premieres that celebrated the 50th anniversaries of the U.S. Wild & Scenic Rivers and the National Trails System.
Citywater’s Landscape Music: Rivers & Trails program was presented by Visions of the Wild, an environmental arts festival, in partnership with the U.S. Forest Service and Vallejo Community Arts Foundation, with support from the National Park Service. The concert was given at the Empress Theatre in Vallejo, CA on September 23, 2018.
Watch the full concert below, or visit our playlist to see individual videos of World Premiere pieces by Landscape Music composers Nell Shaw Cohen, Linda Chase, Ryan Suleiman, Ben Cosgrove, Christina Rusnak, Rachel Panitch, and Libby Meyer.
Editor’s Note: Composer Christina Rusnak writes her fourth essay for LandscapeMusic.org.
Last October, Nell Shaw Cohen, Stephen Wood and I met to discuss the feasibility of a developing a concert series to celebrate the 50th Anniversaries of the Wild and Scenic Rivers and National Trails System. Eleven months later, concerts are premiering in Vallejo, CA (9/23); Atlanta, GA (9/29); Houghton, MI (10/4); Portland, OR (10/7); and Boston, MA (11/3), as part of Landscape Music: Rivers & Trails concert series. My music is being performed in all locations except Boston. Determining what river or trail I would write about was easy—2018 also marks the 175th anniversary of the Oregon National Historic Trail, and I live just 12 miles from the trail’s end.
The Oregon Trail, and our near-mythological familiarity of it, is fraught with controversy. Claimed by both the British and Americans, the land was actually controlled by the indigenous inhabitants who had no idea what was coming. The emigrants who traveled the 2,170 mile Oregon Trail began their journey in Independence, Missouri—skirting the northeastern edge of what is now Kansas and traveling through Nebraska, Wyoming, and Idaho into Oregon, although none of these states actually existed until decades later. The hopeful settlers traveled through “Unorganized Territory” into Oregon Territory. While most people dispersed along the way to settle within east or south of Oregon Territory, the route officially ended at Willamette Falls—the second largest waterfall (in the U.S) after Niagara. About 20% of emigrants, over 80,000, followed the trail to the end. Continue reading
My composition Retrace for flute, violin, and cello commemorates the 50th Anniversary of the National Trails System Act of 1968, and was composed in response to the Juan Bautista de Anza National Historic Trail. It will receive four co-World Premiere performances during Fall 2018 in locations around the country—presented by Citywater and the Visions of the Wild Festival (9/23, Vallejo, CA), Michigan Technological University (10/4, Houghton, MI), Cascadia Composers (10/7, Portland, OR), and Juventas New Music Ensemble (11/3, Boston, MA), respectively—as part of Landscape Music: Rivers & Trails, a nationwide initiative I am directing for the Landscape Music Composers Network.
The Anza Trail stretches 1,200 miles, weaving through desert and city from Nogales, Arizona to San Francisco, California. It follows the path of the Anza Expedition of 1775-76, which traveled indigenous routes from modern-day Mexico through Arizona and California to settle the San Francisco Bay Area for Spain. A narrative mapped onto the land rather than a “trail” in the usual sense, the Anza Trail is an ongoing project of cultural and historical preservation through outreach, education, and recreation. Continue reading
Video: “Snow Caps” from High Desert Panoramas by Brent Lawrence
Editor’s Note: Composer Brent Lawrence writes his first essay for LandscapeMusic.org about finding inspiration in the high desert of eastern Oregon.
Although I live in Oregon now, I am not from Oregon. My blood runs from the cool mountain streams of Appalachia, where crystalline brook-babbles froth over the stones of mountains older than I can comprehend. It is in the Blue Ridge mountains of southwest Virginia, and the rolling hills of the North Carolina Piedmont, where I made my old friends. The ragged, old, and wise mountains that cradled me in my, even more youthful, youth. It is no surprise then that I was taken (and still am) by the grandeur of the Cascades as my Red Mazda whisked through the mountain highways flanked by peaks adorned with snow. For many, and to me, the forest is a magical place, especially here in Oregon. Where one can lose themselves in the clear pools of mountain brooks, the silence perpetuated by unspeaking firs, or the occasional whisper of the wind. But to me, many of Oregon’s mysteries lie in the east. Continue reading