My composition Retrace for flute, violin, and cello commemorates the 50th Anniversary of the National Trails System Act of 1968, and was composed in response to the Juan Bautista de Anza National Historic Trail. It will receive four co-World Premiere performances during Fall 2018 in locations around the country—presented by Citywater and the Visions of the Wild Festival (9/23, Vallejo, CA), Michigan Technological University (10/4, Houghton, MI), Cascadia Composers (10/7, Portland, OR), and Juventas New Music Ensemble (11/3, Boston, MA), respectively—as part of Landscape Music: Rivers & Trails, a nationwide initiative I am directing for the Landscape Music Composers Network.
The Anza Trail stretches 1,200 miles, weaving through desert and city from Nogales, Arizona to San Francisco, California. It follows the path of the Anza Expedition of 1775-76, which traveled indigenous routes from modern-day Mexico through Arizona and California to settle the San Francisco Bay Area for Spain. A narrative mapped onto the land rather than a “trail” in the usual sense, the Anza Trail is an ongoing project of cultural and historical preservation through outreach, education, and recreation. Continue reading →
Video: “Snow Caps” from High Desert Panoramas by Brent Lawrence
Editor’s Note: Composer Brent Lawrence writes his first essay for LandscapeMusic.org about finding inspiration in the high desert of eastern Oregon.
Although I live in Oregon now, I am not from Oregon. My blood runs from the cool mountain streams of Appalachia, where crystalline brook-babbles froth over the stones of mountains older than I can comprehend. It is in the Blue Ridge mountains of southwest Virginia, and the rolling hills of the North Carolina Piedmont, where I made my old friends. The ragged, old, and wise mountains that cradled me in my, even more youthful, youth. It is no surprise then that I was taken (and still am) by the grandeur of the Cascades as my Red Mazda whisked through the mountain highways flanked by peaks adorned with snow. For many, and to me, the forest is a magical place, especially here in Oregon. Where one can lose themselves in the clear pools of mountain brooks, the silence perpetuated by unspeaking firs, or the occasional whisper of the wind. But to me, many of Oregon’s mysteries lie in the east. Continue reading →
This Sunday, December 10, 2017 at 3:00pm, Michigan Technology University in Houghton, MI, in affiliation with the Landscape Music Composers Network, presents a concert of new music inspired by national parks and other remarkable landscapes.
This concert, curated by Libby Meyer, features music composed by Libby and several other members of the Landscape Music Composers Network: Nell Shaw Cohen (World Premiere), Stephen Lias, Christina Rusnak, and Stephen Wood, alongside works by Jesse Budel and Corinna Hogan.
Continue reading to explore each of the featured works by Landscape Music composers, then check out MTU’s event listing for venue details or tune into the livestream to listen online! (The livestream is available Sunday, December 10 at 2:30pm EST; concert starts at 3:00pm.) Continue reading →