Stephen Lias, Adventurer-Composer

Stephen Lias

Stephen Lias. Source.

Stephen Lias is an accomplished and inspirational composer of music for orchestra and large ensembles, chamber ensembles, and voice. He also founded the remarkable field seminar “Composing in the Wilderness,” which he leads annually.

As a self-made specialist in music inspired by the U.S. National Parks, Stephen Lias has been Artist-in-Residence at Rocky Mountain, Glacier, Denali, Glacier Bay, and Gates of the Arctic National Parks, and has written over a dozen park-related pieces.

Many of these works will be featured on his forthcoming CD, Encounters: Music Inspired by Our National Parks, which I hope you’ll support on Kickstarter (I have!).

Last weekend I had an illuminating conversation with Stephen about many facets of his work: from the perspectives he has gained through his adventures in wild places, to the techniques he uses to capture and transform these wilderness experiences into music. Stephen spoke with me over Skype from Nacogdoches, Texas, where he is Professor of Composition at Stephen F. Austin State University. Continue reading

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Rachel Panitch: Making Music in Zion National Park

Rachel Panitch

Rachel Panitch

In April 2014, Rachel Panitch spent four weeks as Artist-in-Residence at Zion National Park in Utah, where she created several works inspired by the park—including an online “Musical Map”—and performed her music on site.

A fiddler, composer, improviser, and educator based in Boston, Rachel’s varied musical output combines influences from varied aural and folk traditions from North Indian Raga to contra dance. Rachel and I first became acquainted through the Entrepreneurial Musicianship grant program at the New England Conservatory of Music, where we both studied.

I was delighted to speak with Rachel over the phone recently about her time in Zion National Park and the work that she produced there. Below, I’ve highlighted some of Rachel’s thoughts from our conversation, in which she discusses her expectations, surprises, process, interactions, and the approaches she took to engaging with Zion’s landscape through music. Continue reading

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